
...which just goes to show that she understands my sense of humour perfectly.
Jackie Beat and 'friend', [courtesy of Thom at Fabulon]
Can mean a lifetime of explanations...
Photo by George Platt Lynes
The cover of the Australian edition. In my opinion, thoroughly underwhelming.
I'm not a fan of the Australian edition cover (above). The design itself is ok and very eye-catching, but unless it crops again up at the end of the novel (I'm not there yet), the orchid shown on the cover is only mentioned in a throw away aside in one line in one scene. It just doesn't seem to fit this book. I much prefer the overseas style cover (below) which at least places the story in the context of San Francisco, the city which itself is almost a character in all of the novels.
The cover of the overseas edition. I think this places it much more into the "Tales Of The City" oevre.
It pains me to write this, but it's just ok. I haven't finished it yet but I'm around 75% done. The other "Tales Of The City" books always entertained with their outlandish coincidences, topical storylines, loveable characters and sense of this large collection of friends being 'family'. I don't get that from this book.
I read a somewhat scathing review in the online UK Guardian, much of which I sadly agree with. (A less opinionated publisher's review is here.)
The novel is entertaining enough, but doesn't read like a 'Tales' book. For a start the invisible narrator (Maupin himself) is absent and the novel is written in Michael's first person voice. Sure the characters are older and their journeys have changed. Sure people that we loved intensely once and thought we'd be Best Friends Forever with move on. Sure we live in complicated and difficult times. But, where's the joy? Where's the novel 'family' we grew to love? Largely absent, sadly. Taking some of the charm with them.
I don't hate it. Not by a long shot, but I loved these books and these characters. I do think Maupin has lost his way here somewhat. In trying to make a later instalment with older, more adult characters who reflect the changes of ageing he has lost the fun of the earlier books.
I guess reading it makes me feel sort of a bit sad and old myself in an odd way. Like you sat down with a bunch of longterm friends, only to think "you know what, we used to be more fun than this".
Jan van Eyck's portrait of Giovanni Arnolfini and his bride, 1434.
So I was particularly excited to see the Apartment Therapy story about The Grammercy Park Hotel. The Grammercy Park Hotel recently reopened with a complete makeover inspired by this exact sort of colour palette, in this particular case based on the works of Raphael.
The 'Cowper Madonna' by Raphael, c1483-1520.
Oh my gah, I'm in love with these interiors! Weirdly such intensity of colour almost looks modern to me. Maybe because we've become so used to the ultra moderne white box by now, that to see such rich and vibrant colour handled so skillfully looks kind of new. Instead of very, very old like the inspiration it comes from.
It may be a bit much to have an entire house done in such a scheme, but I think it works beautifully for somewhere where a bit of drama is called for. Like a hotel, a nightclub, or in a home perhaps a dining room! Could you imagine a candelight dinner in a room such as these?
The Chinese Blanket Lady. There is a tiny sparrow of a woman that I pass many mornings that I like to think of as The Chinese Blanket Lady. She wears this coat that is possibly the ugliest thing you have ever seen, made from some sort of slightly fuzzy and very acrylic looking blanket material, with a design of large stylised Chinese flowers in pastel colours. Peonies writ large. The rest of the coat is trimmed with a knit rib in the most incredible hot orange colour, almost but not quite Hazard Orange. But oh man, she looks so tiny and snug in her big ugly blanket coat that it always makes me want to go over and give her a hug or something. I don't think she'd like that somehow, at least not out of the blue.
The Toasted Sarnie. I had a long cold walk to work from the train station this morning. Eyes tearing from the cold wind and nearly getting blown over as I crossed over the Parramatta River. The light at the end of that tunnel, the gold at the end of the rainbow, was a piping hot toated cheese and tomato sandwich. The sandwich of corner milk bars, car holiday roadside service stations and childhood. White bread, cheddar cheese, thick(ish) slices of tomato, salt & pepper, and then all pressed flat and toasted until the end result is something even thinner than one slice of bread, but crisp and filled with yummy melted goo. Heaven.
Gristle Guy. I have to take a couple of trains to get to work every morning, and one of the longer train rides takes about half an hour. On that trip this morning there was a guy sitting opposite eating his breakfast from a plastic container. Except, in the half hour period he took about 3 bites and it took him the whole trip to chew them. Both cheeks full, chomp chomp chomp he went. He was kind of wiry and skinny and it did cross my mind that he probably expended more energy chewing than he was getting from whatever he was eating. But what could he be eating? What takes that much work? I was thinking beef jerky, giant balls of bubble gum, pure beef gristle, the stringy bits (only) from celery or maybe even a few floorboards.
The Strapping Lad. This is less of an observation and more of a joy really. I'm no Chicken Hawk. Ok, I know I've mentioned young guys in the past but I normally go for guys close to my own age. However, there was a boy of about 20 in the train station this morning that stopped me dead in my tracks. Tall, brunette, massive broad shoulders and yet with a lithe athletic build. All wrapped up in a form fitting cream sweater. Man, I'll bet there are a whole bunch of broken hearts/petty jealousies/distracted tutorial attendees/proto-gay boys discovering themselves on whatever university campus that beauty stalks.
The Sunflower Principle. I'm a bit of a creature of habit and tend to get on the same train carriage every day. Consequently I usually stand in the same spot on the train platform at Redfern, where I board my second train of a morning. Redfern station platforms are mostly open to the elements, so I often find myself standing in roughly the same spot on the platform with roughly the same group of people. Some are there to smoke. Some are there (like me) to get on the first, and usually fairly empty, train carriage. As the seasons have changed we've all moved along a bit. Just a month or two ago the unseasonable warm weather meant we all clustered around the shade given off by the solitary (and slightly feeble) tree in a planter on the platform. Now the cold wind and weak Winter sunshine has us all moving along out of the shade, trying to warm ourselves in the sun. Turning towards the light like sunflowers.
[Warning: To all my dear overseas readers please note that The Amazing Race: All Stars is currently still showing here in OZ, so please don't spoiler in the comments if you now how it ends! I'm avoiding the official TAR website links for the same reason.]
Here's my latest crush, The Amazing Race's own Oswald Mendez. Gay, sweet, funny, smart, handsome, caring, a little bit camp (when it's called for) and Ay, Dios Mio! that Cuban accent. Born in Cuba in 1970, and now living in Miami, he is a consultant with an ad agency.
Of all the racers in all the seasons of TAR Oswald (and his race partner Danny) are at the top of my list. They treated everybody with respect and got by on smarts, charm, cooperation and a real sense of fun and adventure. In real life he and Danny are very close, a bond that grew as Oswald helped Danny throught the trauma of losing his partner Nelson to AIDS. Even when the stress of the race got to them they still managed to treat each other with respect and consideration, even when fighting.
I found them a joy to watch.
Mmmmmmmm, knee pads. How thought provoking.
Gown: Gaultier. Embarrassment: model's own.
Picture ripped from the consistently fabulous
Thom of Fabulon: Life On A Fabulous Planet
All of a sudden I feel like the gayest gay that ever gayed!
I made 24 "Hello Kitty" cupcakes to take along to the Saturday night farewell party for my friends Spyder & Gordy, who depart for Melbourne in a few week's time. I used the same recipe as last time, but took it up a few notches with pink, yellow and green pastel icing, star sprinkles, and the piece de resistance - soft sparkly "Hello Kitty" sweeties.
These "Hello Kitty" sweeties were a real find. Remember the bizzaro Death Adder sweeties from last year? Yup, same same! These ones I bought from a different store, the cake decorating place Iced Affair in Camperdown. Like the death adders last year, they just came in a plain bag labelled product of Vietnam. Curious, non?
These went down a treat. The platter didn't even make it to the table before it was two thirds empty! Ever seen seagulls descend on some discarded chips? Trust me. Not. Dissimilar.
[Click the pics to see them larger.]
Make cupcakes.
I may well be kicking it off with some recreational beverages tonight, if I can reach my buddies James and Graeme.
Have a great weekend eveyone!
What if, as Franklin Roosevelt once proposed, Alaska - and not Israel - had become the homeland for the Jews after World War II? In Michael Chabon's Yiddish-speaking 'Alyeska', Orthodox gangs in side-curls and knee breeches roam the streets of Sitka, where Detective Meyer Landsman discovers the corpse of a heroin-addled chess prodigy in the flophouse Meyer calls home. Marionette strings stretch back to the hands of charismatic Rebbe Gold, leader of a sect that seems to have drawn its mission statement from the Cosa Nostra - but behind Rebbe looms an even larger shadow... Despite sensible protests from Berko, his half-Tlingit, half-Jewish partner, Meyer is determined to unsnarl the meaning behind the murder. Even if that means surrendering his badge and his dignity to the chief of Sitka's homicide unit - also known as his fearsome ex-wife, Bina.
The Yiddish Policemen's Union interweaves an homage to the stylish menace of 1940s noir with a bittersweet fable of identity, home and faith. It is a novel of colossal ambition and heart from one of the most important and beloved writers working today.
Taste in books is a very personal thing, so I hesitate to say that everyone will love all of his books, but I presonally really love the inventiveness and humanity Chabon brings to his works. This latest book is no exception. Using the style of '40s 'noir' detective thrillers works surprisingly well as the detectives battle the clannish closed ranks of the Orthodox sects of Sitka. All sorts of stylistic parallels are drawn, the putz, the hardboiled dame, the mob boss, and they all work incredibly well.
Loving it!