
...which just goes to show that she understands my sense of humour perfectly.

Jackie Beat and 'friend', [courtesy of Thom at Fabulon]
Can mean a lifetime of explanations...

Photo by George Platt Lynes



The cover of the Australian edition. In my opinion, thoroughly underwhelming.
I'm not a fan of the Australian edition cover (above). The design itself is ok and very eye-catching, but unless it crops again up at the end of the novel (I'm not there yet), the orchid shown on the cover is only mentioned in a throw away aside in one line in one scene. It just doesn't seem to fit this book. I much prefer the overseas style cover (below) which at least places the story in the context of San Francisco, the city which itself is almost a character in all of the novels.

The cover of the overseas edition. I think this places it much more into the "Tales Of The City" oevre.
It pains me to write this, but it's just ok. I haven't finished it yet but I'm around 75% done. The other "Tales Of The City" books always entertained with their outlandish coincidences, topical storylines, loveable characters and sense of this large collection of friends being 'family'. I don't get that from this book.
I read a somewhat scathing review in the online UK Guardian, much of which I sadly agree with. (A less opinionated publisher's review is here.)
The novel is entertaining enough, but doesn't read like a 'Tales' book. For a start the invisible narrator (Maupin himself) is absent and the novel is written in Michael's first person voice. Sure the characters are older and their journeys have changed. Sure people that we loved intensely once and thought we'd be Best Friends Forever with move on. Sure we live in complicated and difficult times. But, where's the joy? Where's the novel 'family' we grew to love? Largely absent, sadly. Taking some of the charm with them.
I don't hate it. Not by a long shot, but I loved these books and these characters. I do think Maupin has lost his way here somewhat. In trying to make a later instalment with older, more adult characters who reflect the changes of ageing he has lost the fun of the earlier books.
I guess reading it makes me feel sort of a bit sad and old myself in an odd way. Like you sat down with a bunch of longterm friends, only to think "you know what, we used to be more fun than this".

Jan van Eyck's portrait of Giovanni Arnolfini and his bride, 1434.
So I was particularly excited to see the Apartment Therapy story about The Grammercy Park Hotel. The Grammercy Park Hotel recently reopened with a complete makeover inspired by this exact sort of colour palette, in this particular case based on the works of Raphael.

The 'Cowper Madonna' by Raphael, c1483-1520.
Oh my gah, I'm in love with these interiors! Weirdly such intensity of colour almost looks modern to me. Maybe because we've become so used to the ultra moderne white box by now, that to see such rich and vibrant colour handled so skillfully looks kind of new. Instead of very, very old like the inspiration it comes from.

It may be a bit much to have an entire house done in such a scheme, but I think it works beautifully for somewhere where a bit of drama is called for. Like a hotel, a nightclub, or in a home perhaps a dining room! Could you imagine a candelight dinner in a room such as these?

The Chinese Blanket Lady. There is a tiny sparrow of a woman that I pass many mornings that I like to think of as The Chinese Blanket Lady. She wears this coat that is possibly the ugliest thing you have ever seen, made from some sort of slightly fuzzy and very acrylic looking blanket material, with a design of large stylised Chinese flowers in pastel colours. Peonies writ large. The rest of the coat is trimmed with a knit rib in the most incredible hot orange colour, almost but not quite Hazard Orange. But oh man, she looks so tiny and snug in her big ugly blanket coat that it always makes me want to go over and give her a hug or something. I don't think she'd like that somehow, at least not out of the blue.
The Toasted Sarnie. I had a long cold walk to work from the train station this morning. Eyes tearing from the cold wind and nearly getting blown over as I crossed over the Parramatta River. The light at the end of that tunnel, the gold at the end of the rainbow, was a piping hot toated cheese and tomato sandwich. The sandwich of corner milk bars, car holiday roadside service stations and childhood. White bread, cheddar cheese, thick(ish) slices of tomato, salt & pepper, and then all pressed flat and toasted until the end result is something even thinner than one slice of bread, but crisp and filled with yummy melted goo. Heaven.
Gristle Guy. I have to take a couple of trains to get to work every morning, and one of the longer train rides takes about half an hour. On that trip this morning there was a guy sitting opposite eating his breakfast from a plastic container. Except, in the half hour period he took about 3 bites and it took him the whole trip to chew them. Both cheeks full, chomp chomp chomp he went. He was kind of wiry and skinny and it did cross my mind that he probably expended more energy chewing than he was getting from whatever he was eating. But what could he be eating? What takes that much work? I was thinking beef jerky, giant balls of bubble gum, pure beef gristle, the stringy bits (only) from celery or maybe even a few floorboards.
The Strapping Lad. This is less of an observation and more of a joy really. I'm no Chicken Hawk. Ok, I know I've mentioned young guys in the past but I normally go for guys close to my own age. However, there was a boy of about 20 in the train station this morning that stopped me dead in my tracks. Tall, brunette, massive broad shoulders and yet with a lithe athletic build. All wrapped up in a form fitting cream sweater. Man, I'll bet there are a whole bunch of broken hearts/petty jealousies/distracted tutorial attendees/proto-gay boys discovering themselves on whatever university campus that beauty stalks.
The Sunflower Principle. I'm a bit of a creature of habit and tend to get on the same train carriage every day. Consequently I usually stand in the same spot on the train platform at Redfern, where I board my second train of a morning. Redfern station platforms are mostly open to the elements, so I often find myself standing in roughly the same spot on the platform with roughly the same group of people. Some are there to smoke. Some are there (like me) to get on the first, and usually fairly empty, train carriage. As the seasons have changed we've all moved along a bit. Just a month or two ago the unseasonable warm weather meant we all clustered around the shade given off by the solitary (and slightly feeble) tree in a planter on the platform. Now the cold wind and weak Winter sunshine has us all moving along out of the shade, trying to warm ourselves in the sun. Turning towards the light like sunflowers.




